舞臺音響作為現代電聲技術和音樂藝術發展的產物，突破了音樂聲音再現的傳統形式，將聲音的轉化與舞臺上的其他藝術手段相結合，如：現場燈光、布局、場地、表演者表演風格、表演音樂中使用的具體樂器直接為觀眾和相應的演員服務，使舞臺上的聲音不僅滿足觀眾對音量的需求，而且通過不斷調整其表現力技巧和音效，讓舞臺的聲音得到提升。藝術空間更豐富，更具藝術感和感染力。
As a product of the development of modern electroacoustic technology and music art, stage sound breaks through the traditional form of music sound reproduction, and combines the transformation of sound with other artistic means on the stage, such as on-site lighting, layout, venue, performers' performance style, and specific musical instruments used in performing music to directly serve the audience and corresponding actors, so that the sound on the stage can not only meet the audience's demand for volume, And by constantly adjusting its expressive skills and sound effects, the sound of the stage can be improved. The art space is richer, more artistic and appealing.
此外，無聲的音效對舞臺搭建、導演對人物的塑造、舞臺調度的控制也有重要影響。舞臺表演的舞臺氣氛不是一成不變的，而是隨著表演內容的發展而不斷變化的。作為藝術創作的結果，也促進了舞臺藝術的真實性。對比與展示，將人物與舞臺表演節奏的關系直觀地呈現出來，表演的節奏體現在舞臺氣氛的變化上，與觀眾互動。
In addition, the silent sound effect also has an important impact on the stage construction, the director's characterization and the control of stage scheduling. The stage atmosphere of stage performance is not unchanging, but constantly changing with the development of performance content. As a result of artistic creation, it also promotes the authenticity of stage art. By comparison and display, the relationship between the characters and the stage performance rhythm is visually presented. The performance rhythm is reflected in the change of the stage atmosphere and interacts with the audience.
由于長期以來對舞臺音響的作用認識不，忽視了學生聲源、觀眾周圍環境、觀眾心理感受等對舞臺音響調節的影響，已導致它與擴聲混淆，作為電聲轉換和信號放大的主要工具。但在這個階段，人們逐漸意識到，舞臺氛圍的營造程度強烈依賴于音響設備的控制效果，而舞臺音響可以調節觀眾與舞臺氛圍的關系。
For a long time, the role of stage sound has not been fully understood, and the influence of students' sound source, audience's surrounding environment and audience's psychological feelings on stage sound adjustment has been ignored, which has led to its confusion with sound reinforcement, as the main tool of electroacoustic conversion and signal amplification. But at this stage, people gradually realize that the degree of creating stage atmosphere strongly depends on the control effect of sound equipment, and stage sound can adjust the relationship between audience and stage atmosphere.
一方面，聲音要協調高、低、快、慢的音效，使不同的音質在舞臺藝術整體上得到優化。舞臺藝術強調元素表現的重要手段。
On the one hand, the sound should coordinate high, low, fast and slow sound effects, so that different sound quality can be optimized in the overall stage art. Stage art emphasizes the important means of element expression.
另一方面，在舞臺聲音的調控過程中，應結合相應表演者的聲音情況，進行高、中、低補償和音頻衰減，以提高舞臺的聽覺效果。藝術，尤其是聲音。條件相對不足的演員可以通過合理的調節達到有效的提升，從而滿足觀眾的聽力，例如：
On the other hand, in the process of stage sound control, high, medium and low compensation and audio attenuation should be carried out in combination with the sound of the corresponding performers to improve the stage hearing effect. Art, especially sound. Actors with relatively insufficient conditions can achieve effective improvement through reasonable adjustment, so as to meet the audience's listening, for example:
山東舞臺燈光廠家認為大家在使用近講麥克風時，考慮到近講者通常具有清晰流暢的音質，在營造舞臺氛圍時可以根據混響時間調整距離。男性近講者的喉音和女性近講者的聲帶雜音影響聲控效果。在調試臺，低于100HZ時可根據現場情況進行衰減，在5-7kHZ頻段可增加分流器3dB，讓觀眾對舞臺氣氛更加認可。
Shandong stage lighting manufacturers believe that when using close speaking microphones, considering that close speakers usually have clear and smooth sound quality, they can adjust the distance according to the reverberation time when creating the stage atmosphere. The effect of voice control is affected by the throat sound of male close speakers and the vocal cord murmur of female close speakers. On the commissioning platform, the attenuation can be carried out according to the site conditions when the frequency is lower than 100Hz, and the shunt can be increased by 3dB in the frequency band of 5-7khz, so that the audience can more recognize the stage atmosphere.
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